Name: Shashi Bhooshan

Bio: Dr. Bhooshan’s architecture has received critical acclaim; He has some eight awards and prizes at national level and a nomination for Aga Khan International award. He was a consultant to UN at Nagoya and was associated with Human settlement studies of the International Institute of Environment and Development, London. His works are widely published nationally and internationally. He has written on development planning, human settlements, housing and architecture and is the author and editor of five books on human settlement policies in Asia besides numerous papers and articles.

Posts by Shashi Bhooshan:

    The Significance of Laurie Baker

    January 26th, 2009

    Who was Laurie baker?

    It is difficult to put him in the category of just an architect as
    most people do. Neither had he lived like just an architect. He was admired by people of
    many walks of life. But still architectural fraternity claimed him as one among them
    though many did not know him enough or his ideas enough. What makes Baker an
    important phenomenon of recent Kerala? It is not the fact that he started work as a
    missionary and did everything in that zeal, not even that he touched many lives and
    influenced the opinions of policy makers and ordinary people, nor that he could create
    dream houses for many who could not even dream; all that is known and written about by
    media. His significance is that he was an agent of change in architecture at a turning point
    in Kerala. But still I feel that he was most misunderstood architect.

    History will remember Baker for making a generation of architects of Kerala think of
    their past in whatever little way and make them understand the relevance of building
    materials as well as appreciate the texture and aesthetics of ordinary materials. It is more
    significant to note that modern architecture came to Kerala too late, or may be it is true to
    say, it never came. All we have seen before the 60s were the insipid PWD stuff and the
    occasional works of Bombay or Madras architects. And Baker created some thing new in
    this vacuum. Though with the single minded idea of cost reduction. That was first
    ridiculed and then accepted and then was eulogized and even worshipped and followed.
    His kind of architecture was slowly kept aside today or if followed, done so only in form,
    like Gandhian ideas are today. Yet Baker will remain a turning point in Kerala’s
    architectural history; the history of modern Kerala and Indian architecture.
    To eulogize is to forget the real content and keep only the form. Baker’s also might
    follow the same pattern. The ideas will get corrupted if not already by the followers who
    may not understand the spirit of enquiry Baker started with in architecture.
    Baker’s architecture is largely misunderstood. People have used his ideas to suite their
    ends. Some followed his brickwork and some his tracing of tile roof shapes in concrete,
    some his jallis and some his cost cutting measures and a few followed him to make
    ecological sense of his works, which, in my opinion, was the most sustainable of his
    teachings.

    Baker’s architecture is read erroneously and simplistically as “Kerala style”. I think it
    was not that simple. The so called “Kerala style” is itself a questionable notion. (this is
    not a place to write about it). But the irony is that by labeling it that way, the critics and
    followers in Kerala as well as outside have belittled the importance of his work. His
    works, – homes or institutions or religious buildings-, had an idiosyncratic stamp typical
    of his and were molded by the firm belief in Gandhian frugalism and the conscious
    attempt at eliminating the unnecessary, may be of cost cutting. To do so it was inevitable
    to build climatically suited structures and use skills locally available. When this was a
    philosophy, it was inevitable to result in an architecture that we now know as that of
    Baker’s. But we took it as vernacular and labeled as an adaptation of “Kerala style”. He
    never claimed so.

    Baker did question the logic of plastered makeup as an unnecessary paste on unlike
    anybody before in Kerala. He bared his walls of beautiful brick works or stone masonry
    and made us admire the beauty of materials. None did that in Kerala before except
    Architect Chisholm and his ilk in the 19c or early 20c. He used plans and sequence of
    spaces, which were contemporary and modern (least the way Kerala planned
    traditionally). He used openings and windows which were simplified modern. None of
    these could be called Kerala Style. His jallis were neither an adaptation of the past. Baker
    rejected past’s follies and adapted relevant and significant ones from anywhere
    But true, he made tiled roof and sloped concrete roofs resembling the roofs of traditional
    Kerala as well as some wood joinery details, railings, etc. more like the “post modernist”
    way, yet very ingeniously and beautifully. And to that extend he was using an easily
    recognizable architectural vocabulary and signifying certain accepted meanings of forms.
    He was thus rebelling against the accepted principles of modern architecture as well. I
    think, that to him was just a way to get more latent ideas of architecture, – of lower cost
    and frugal living and ecological building – acceptable to people, more like the way
    Mahatma Gandhi clothed his ideas in simple mass appeal. Baker’s architecture will be
    and is significant beyond these scenographic formalisms. At the techtonic level and in
    technological innovation and spatial creativity, his architecture was universal, modern
    and had the significant spirit of adventure and objectivity. Modern scientific spirit of
    enquiry was the basis of his architecture. And it happened at a significant point in
    Kerala’s architectural and political history.

    Let us remember not to reduce this significance of Baker to that of a mere technician
    (even if a masterly one) or just a low cost architect. Let us not disgrace his masterly
    adaptations with cheap imitations as seen in Kerala’s recent scenography of questionable
    and insipid adaptation of sloping roofs. A serious study of Baker’s architecture is
    required. I hope some one will do it. May be that only a European will be destined to do
    that!

    Baker was admittedly a Gandhian in ideas and yet like Gandhi he is understood more
    superficially and because of his eminence, would be followed more in form than in real
    spirit and content of ideas.

    Here is the link to the original article:

    http://www.vidyaonline.net/arvindgupta/bakerbhushan.pdf

    

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